This research is supported by the Major Project of the National Social Science Fund of China, Translation of the Encyclopedia of World Children’s Literature and Research on the History of Children’s Literature Criticism (No. 19ZDA297), and the 2025 Postgraduate Research & Practice Innovation Program of Jiangsu Province, Multimodal Image Construction in the English Translation of The White Cat Legend from the Perspective of Imagology (No. SJCX25_1492).
References
Attardo, S. (1994). Linguistic theories of humor. Mouton de Gruyter.
Austin, J. L. (1962). How to do things with words. Clarendon Press.
Baldry, A., & Thibault, P. J. (2006). Multimodal transcription and text analysis: A multimedia toolkit and coursebook. Equinox.
Barthes, R. (1977). Image–music–text. Hill and Wang.
Carré, J.-M. (1951). Avant-propos [Foreword]. In M. F. Guyard, La littérature compare (pp. 5-6). Presses Universitaires de France.
Feng, D., & Li, X. (2025). Multimodal construction and communication of transcultural Chinese discourse. Foreign Language World, (1), 21-28.
Hu, Z. (2007). Multimodality in social semiotic research. Journal of Language Teaching and Research, (1), 1-10.
Hoskins, C., & Mirus, R. (1988). Reasons for the U.S. dominance of the international trade in television programmes. Media, Culture & Society, 10(4), 499-515.
Jakobson, R. (1959). On linguistic aspects of translation. In R. A. Brower (Ed.), On translation (pp. 232-239). Harvard University Press.
Kaindl, K. (2013). Multimodality and translation. In C. Millán & F. Bartrina (Eds.), The Routledge handbook of translation studies (pp. 257-269). Routledge.
Kress, G. (2010). Multimodality: A social semiotic approach to contemporary communication. Routledge.
Leerssen, J. (2007). Imagology: History and method. In M. Beller & J. Leerssen (Eds.), Imagology: The cultural construction and literary representation of national characters (pp. 13-31). Rodopi.
Lefevere, A. (2010). Translation, rewriting and the manipulation of literary fame. Shanghai Foreign Language Education Press.
Pedersen, J. (2011). Subtitling norms for television. John Benjamins Publishing Company.
Pérez-González, L. (2014). Audiovisual translation: Theories, methods and issues. Routledge.
Said, E. W. (1978). Orientalism. Pantheon Books.
Wang, J., Zhou, Y., & Zhang, J. (2019). Thirty years of research on film and television translation in China (1989–2018): A visual analysis based on CiteSpace. Shanghai Journal of Translators, (2), 33-38.
Wang, Y. (2023). From image studies in translation to translation studies from the perspective of imagology. Chinese Translators Journal, 44(3), 25-33.
Xi, J. (2021, June 2). Strengthen and improve international communication to show a true, three-dimensional and comprehensive China. People’s Daily, 1.
Zhang, D. (2009). Exploration on a comprehensive theoretical framework for multimodal discourse analysis. Foreign Language in China, 6(1), 24-30.
Zhang, H., & Sun, Y. (2024). Theoretical logic and practical path of intercultural communication studies promoting the new liberal arts construction of foreign languages. Foreign Language World, (4), 2-9.
Zhang, X. (2011). The imagological perspective in translation studies: A case study of the Chinese translation of Kerouac’s On the Road. Shanghai Translation Publishing House.