References
Adebayo, F. (2021). Comparative literature in Nigeria: A thematic examination of Gogol’s The government inspector and Osofisan’s Who’s afraid of Solarin? Lagos Notes and Records, 27(1), 45-60.
Adeyemi, T. K. (2025). Language, identity, and the politics of performance in African drama. Routledge.
Akingbe, N. (2010). Femi Osofisan and the Search for a Radical Aesthetic. Kraft Books.
Akinwale, A. O. (2024). Theatre and resistance in postcolonial Africa. Spectrum Books.
Barber, K. (1991). I Could Speak Until Tomorrow: Oriki, Women, and the Past in a Yoruba Town. Edinburgh University Press.
Chinweizu, Jemie, O., & Madubuike, I. (1980). Toward the Decolonization of African Literature. Fourth Dimension Publishers.
Fairclough, N. (1995). Critical discourse analysis: The critical study of language. Longman.
Gramsci, A. (1971). Selections from the prison notebooks. International Publishers.
Igweonu, K., & Okagbue, O. (2014). Performative Interactions in African Theatre 2: Innovation, Creativity and Social Change. Cambridge Scholars Publishing.
Jegede, O. O. (2024). Politeness strategies and power dynamics in interactions between characters in Ama Ata Aidoo’s Anowa. Studies in Literature and Language, 28(2), 61-70.
Jegede, O. O., & Arubuola, P. O. (2025). Politeness as power in Yoruba traditional religion: Examining (im)politeness strategies in Ijala poetry. Igirigi: Multi-Disciplinary Journal of African Studies, 5(3), 124-137.
Jegede, O. O., & Lawal, S. O. (2023). Language, power, and intentions: Exploring pragmatic functions in President Muhammadu Buhari’s inaugural address. Lead Journal of Languages and Literature (LJLL), 1(1), 99-114.
Jegede, O. O., & Okere, A. C. (2025). Language as a tool for political transformation: Pragmatic analysis of Atiku Abubakar’s 2023 speech on Tinubu’s academic records. International Journal of Sub-Saharan African Research, 3(1), 483-495.
Jeyifo, B. (2004). Wole Soyinka: Politics, poetics, and postcolonialism. Cambridge University Press.
Ngũgĩ wa Thiong’o. (1986). Decolonising the Mind: The Politics of Language in African Literature. James Currey.
Nnodim, R. (2005). Postcolonial African Drama and the Rhetoric of Resistance. University of Port Harcourt Press.
Obafemi, O. (2008). Contemporary Nigerian Theatre: Cultural Heritage and Social Vision. Caltop Publications.
Ogunbiyi, Y. (1981). Drama and Theatre in Nigeria: A Critical Source Book. Nigerian Magazine.
Okoro, C. U. (2023). Pragmatics and politics: The power of language in Nigerian literature. Journal of African Literary Studies, 12(2), 56-74.
Olaniyan, T. (1995). Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama. Oxford University Press.
Osofisan, F. (1991). Esu and the vagabond minstrels. University Press.
Osofisan, F. (1998). Once upon four robbers. University Press.
Osofisan, F. (1998). The chattering and the song. University Press.
Osofisan, F. (2001). The nostalgic drum: Essays on literature, drama and culture. Africa World Press.
Saxena, A. (2024). Gender dynamics and societal pressures: Exploring women’s representation in Arthur Miller’s The Ride Down Mount Morgan. Integral Research, 1(3), 15-20.
Sowande, B. (1997). The wives. Lantern Books.
Uka, K. (2012). Drama and Politics in Contemporary Nigeria. Fourth Dimension Publishing.
van Dijk, T. A. (2008). Discourse and power. Palgrave Macmillan.
Wodak, R., & Meyer, M. (2016). Methods of critical discourse studies. SAGE Publications.