References
Beer, R. (2006). Illustrated symbols and instruments of Tibetan Buddhism (X. Hongjia, Trans.). Beijing, China: China Tibetology Publishing House.
Chen, C. (2023). Research on the cultural connotation and artistic expression of the Buddhist ‘卍’ character. Art Science and Technology, 36(15), 132-134.
Dictionary of Religion. (1981). The ‘Swastika’ entry. Shanghai, China: Shanghai Lexicographical Publishing House.
E’man. (2015). Observing the naturalistic tendency in Tibetan soul beliefs from folk beliefs. Journal of Kunming University of Science and Technology (Social Sciences Edition), 5, 97.
Eitel, E. J. (1981). A Sanskrit-Chinese dictionary (New ed.). New Delhi, India: Munshiram Manoharlal.
Gao, X. (2023). Research on the innovative application of the ‘卍’ character pattern in Tibetan Buddhism in contemporary design. Footwear Technology and Design, 3(18), 121-123.
Guo, M. (Ed.), & Hu, H. (Chief Ed.). (1982). Collection of oracle bone inscriptions. Beijing, China: Zhonghua Book Company.
Huang, X. (1999). Daoism and esoteric Buddhism. Chinese Buddhist Studies Journal, 12, 205-218.
Jiangbian, J. (1995). The concept of soul and the reincarnation system of living Buddhas in ancient Tibet. Chinese Tibetology, 2, 44-51.
Li, H. (2021). Research on the evolution of the ‘卍’ symbol in Songpan area from the perspective of Tibetan-Han cultural exchange. Journal of Culture Studies, (11), 148-151.
Lin, J. (1991). A spectacular scroll of sun worship. Ethnic Art, (2), 192-199.
Liu, Y. (2024). Research on the distribution and cultural connotations of the ‘卍’ symbol worldwide. Cultural Comparison, (2), 112-118.
Mao Heng. Mao Zhuan: A treatise on the Book of Songs [Classic text].
Meng, W. (1987). Collected works of Meng Wentong (Vol. 1). Chengdu, China: Bashu Bookstore.
Qiu, X. (1992). Names of several musical instruments in oracle bone inscriptions: Interpretation of ‘Yong,’ ‘Li,’ and ‘Tao’ (Appendix: Interpretation of ‘Wan’). In Collected essays on ancient Chinese characters (pp. 196-209). Beijing, China: Zhonghua Book Company.
Rao, Z. (1993). The swastika symbol and ancient India. In Collection of Sanskrit studies (pp. 1-16). Shanghai, China: Shanghai Ancient Books Publishing House.
Ren, N. (1987). Annotated and illustrated corrections to the Huayang Guo Zhi. Shanghai, China: Shanghai Ancient Books Publishing House.
Tong, M. (2013). A study of Bon Po in Tibet. Beijing, China: Ethnic Publishing House.
Wang, C. (1987). Essays on Taoism. Chengdu, China: Bashu Bookstore.
Wang, Q. (2022). New exploration on the cultural origin and symbolic meaning of the ‘卍’ symbol in Bon religion. Journal of Ethnology, 13(9), 87-93, 157.
Wei, Q. (2008). On the soul belief of the Tibetan people. Chinese Tibetology, 1, 205-209.
Weiler, O. A. (1988). Sex worship (S. Pin, Trans.). Beijing, China: China Federation of Literary and Art Circles Publishing House.
Xia, N. (1949). Excavation report of Siwa Mountain in Lintao. Journal of Chinese Field Archaeology, 4, 75.
Xiang, D. (1957). A brief historical discussion of the Nanzhao Kingdom. In Tang Dynasty Chang’an and Western Regions civilization (pp. 155-176). Beijing, China: The Commercial Press.
Xu, S. (2013). Shuowen jiezi (Explaining simple and analyzing compound characters) (Xu Xuan, Ed.). Beijing, China: Zhonghua Book Company.
Zhang, Y. (2006). Rock art of Tibet. Xining, China: Qinghai People’s Publishing House.
Zhang, Y. (2007). The ‘bird totem’ of ancient Zhangzhung and ‘sky burial’ in Tibet. Chinese Tibetology, 3, 45-54.
Zhang, Y. (2016a). The swastika symbol as a composite of the four seasons and the Big Dipper: A history of the spread of the swastika symbol (Part 1). Social Science Forum, 11, 4-26.
Zhang, Y. (2016b). The Wan dance of ancient China as the dance of the swastika: A history of the spread of the swastika symbol. Social Science Forum, 12, 4-39.
Zhang, Y. (2017). The global propagation history of the Ten Thousand Character dance and symbol of the Chinese civilization - The propagation history of the Ten Thousand Character symbol (Part two). Social Science Forum, 1, 24-52.
Zhuang, C. (2008). Interpreting the cultural symbolism of the ‘Swastika’ (卍, 卐) and its different variants. Journal of Kangding Nationalities Teachers College, 1, 27-32.