Abstract
This review adopts a thematic analysis approach to examine peer-reviewed articles, monographs, and case studies published between 2019 and 2024, focusing on Zhang Daqian’s artistic practices and their impact on the global art market. The selected sources offer a thorough exploration of key issues related to his work, including the reception of his art across cultures, the commercialization of Chinese art in Hong Kong, and the debates about artistic authenticity and replication. Hong Kong, a significant nexus for émigré artists and collectors in the mid-20th century, plays a vital role in understanding how Chinese art was promoted and consumed worldwide. The review also delves into the influence of intermediaries, such as art dealers, collectors, and auction houses, in shaping Zhang Daqian’s international reputation and establishing his place in the global art market. These intermediaries not only facilitated the distribution of his works but also played a key role in constructing the narrative of his artistic legacy. Furthermore, this review seeks to offer a nuanced perspective on the complexities of originality and replication in the context of the global art market, highlighting how Zhang's work navigated cultural boundaries while fueling ongoing discussions about authenticity in contemporary art.
References
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How to cite this paper
Zhang Daqian and His Art: A Literature Review of Scholarly Investigations into Zhang Daqian's Art in Relation to Chinese Art Consumption and Commercialization
How to cite this paper: Rong (Nikki) Yang. (2025) Zhang Daqian and His Art: A Literature Review of Scholarly Investigations into Zhang Daqian's Art in Relation to Chinese Art Consumption and Commercialization. Journal of Humanities, Arts and Social Science, 9(3), 427-431.
DOI: http://dx.doi.org/10.26855/jhass.2025.03.002