Journal of Humanities, Arts and Social Science

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Article http://dx.doi.org/10.26855/jhass.2024.06.026

A Study on Performance Techniques of Contemporary Chinese Violin Solos

Beichen Hu*, Shafizan Bin Sabri

Faculty of Music of Performing Arts, Universiti Pendidikan Sultan Idris, Tanjung Malim, Perak, Malaysia.

*Corresponding author: Beichen Hu

Published: July 3,2024

Abstract

Since the introduction of violin art into China during the late Qing Dynasty, it has become deeply integrated with China's musical tradition. This integration has resulted in diversified characteristics in terms of creative subject matter and genre, giving rise to a unique composing style and playing techniques. In order to accurately capture the profound meaning and emotion of the work, the performer not only needs to have a deep understanding of the historical and cultural background of China but also needs to master the aesthetic essence of the work and learn those unique performance techniques. The continuous exploration and innovation of these technologies enhance the aesthetic, cultural, and artistic value of Chinese violin performance throughout its historical evolution. This also showcases a unique artistic style on the global music stage. Mastering and flexibly using the playing techniques of the Chinese violin can fully embody the spiritual essence of national-style works. This paper will thoroughly analyze the evolution of Chinese violin music, explore the unique artistic characteristics of Chinese violin works, and further interpret the aesthetic essence of these works and performances.

References

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How to cite this paper

A Study on Performance Techniques of Contemporary Chinese Violin Solos

How to cite this paper: Beichen Hu, Shafizan Bin Sabri. (2024) A Study on Performance Techniques of Contemporary Chinese Violin Solos. Journal of Humanities, Arts and Social Science8(6), 1456-1459.

DOI: http://dx.doi.org/10.26855/jhass.2024.06.026