ArticleOpen Access http://dx.doi.org/10.26855/jhass.2023.11.032
Hui Opera and Buildings with Wood Carvings—Interpreting Opera House Wood Carvings During the Rise and Fall of Hui Opera
Huaibing Liu
School of Fine Arts, Anhui Professional College of Art, Hefei, Anhui, China.
*Corresponding author: Huaibing Liu
Published: December 25, 2023
Abstract
Hui opera originated in Shipai town, Anhui Province. Yangzhou served as the origin of this art form, and Hui opera was spread by Huizhou merchants. However, stories from operas were seldom depicted in wood carvings used to distinguish and adorn buildings. Kunqu opera was an early original style, showcased in over one hundred operas, which rivaled Hui opera. This competition facilitated the flourishing of both opera styles, leading to the creation of buildings adorned with wood carvings that unified the two styles into an aesthetically pleasing system of opera wood carvings. When the rural culture of Huizhou intersected with the urban cultures of Yangzhou and Suzhou, the art forms of opera and wood carving in buildings merged to create an expression that has been referenced and used as an influence, capturing the deep-rooted meaning of these cultures through the aesthetic aspects of the buildings. Historical transformations depicting changes over time can be used to illustrate the rise and fall of opera in this era. The evolution and performance of Hui opera's style are dynamically presented and preserved in material form by buildings adorned with wood carvings, effec-tively capturing this art form in time.
Keyword
Hui opera, Kunqu, Huizhou merchants, Wood carving building, Opera wood carving
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Copyright
© 2023 by the author(s).
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How to cite this paper
Hui Opera and Buildings with Wood Carvings—Interpreting Opera House Wood Carvings During the Rise and Fall of Hui Opera
How to cite this paper: Huaibing Liu. (2023) Hui Opera and Buildings with Wood Carvings—Interpreting Opera House Wood Carvings During the Rise and Fall of Hui Opera. Journal of Humanities, Arts and Social Science, 7(11), 2322-2329.
DOI: http://dx.doi.org/10.26855/jhass.2023.11.032