magazinelogo

Journal of Humanities, Arts and Social Science

ISSN Online: 2576-0548 ISSN Print: 2576-0556 CODEN: JHASAY
Frequency: monthly Email: jhass@hillpublisher.com
Total View: 6074867 Downloads: 1801670 Citations: 319 (From Dimensions)
ArticleOpen Access http://dx.doi.org/10.26855/jhass.2023.11.022

Gender and Disguise in Twelfth Night: The Fluidity of Identity

Zhixu Sun

Nanjing Normal University, Nanjing, Jiangsu, China.

*Corresponding author: Zhixu Sun

Published: December 25,2023

Abstract

Shakespeare's Twelfth Night is a captivating exploration of the complexities of love, where themes of gender, disguise, and the fluidity of identity intertwine. Viola's crossdressing as Cesario allows the play to explore her capacity to embody both masculine and feminine qualities, disrupting binary oppositions and offering a deeper exploration of individuality. This paper explores the performative aspect of gender, emphasizing the flexibility of identity and the societal construction of gender roles. The play depicts diverse expressions of love and challenges to societal norms. This study emphasizes that Viola's concealed identity enables her to openly express her feelings for Orsino, challenging traditional norms. The love triangle also blurs the lines of gender and sexual orientation, emphasizing the ability of love to surpass societal boundaries. Thus, the play demonstrates the importance of Twelfth Night in challenging societal norms and celebrating the diversity of human experiences. Shakespeare's examination of gender, disguise, and the fluidity of identity encourages readers to reconsider preconceived ideas and recognize the limitless potential of love.

Keywords

Twelfth Night, Shakespeare, gender, disguise, fluidity, identity, crossdressing

References

Ake, Jami. Glimpsing a "Lesbian Poetics" in "Twelfth Night". Studies in English Literature, 1500-1900 43.2 (2003).

Andreea Bălan. “I am not what I am”: Liminality as the Existential Terrain of Twelfth Night, Literary Imagination, Volume 24, Issue 3, November 2022, 205-215.

Bell, Quentin. Virginia Woolf: A Biography. New York: Harcourt Brace, 1972. 

Belsey, Catherine. 'Disrupting sexual difference: meaning and gender in the comedies'. Alternative, 1985.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York & London: Routledge, 1999.

Cohen, Stephen. (Post) modern Elizabeth Gender, Politics, and the emergence of modern subjectivity. Shakespeare and Modernity: Early Modern to Millennium. Ed. Hugh Grady. London & New York: Routledge, 2000. 20-39.

DiGangi, Mario. "Rethinking Early Modern Sexuality through Race." English Literary Renaissance 50.1, 2020, 25-31.

Lopez, Sebastian. "“All The Daughters of My Father's House, and All The Brothers Too”: Shakespeare’s Portrayal of Gender Fluidity." 2022.

Park, Chaeyoon. "Desire, Disguise, and Disguised Desires in William Shakespeare’s Twelfth Night." Shakespeare Review 55.4, 2019: 793-810.

Shakespeare, William. Twelfth Night. 1623.

Stanivukovic, Goran. "Two lips, indifferent red": Queer styles in Twelfth Night. Queer Shakespeare, edited by Goran Stanivukovic, Bloomsbury, 2019, 153-173.

Stone, James W. Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within. New York: Routledge, 2010.

Traub, Valerie. ‘The Homoerotism of Shakespearean Comedy’. Shakespeare, Feminism and Gender. Ed. Kate Chedgzoy. New York: Palgrave, 2001. 135-160.

W.E. Slights, William. "Maid and Man" in "Twelfth Night". The Journal of English and Germanic Philology, Jul., 1981.

Copyright

© 2023 by the author(s).
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives (CC BY-NC-ND) license, which permits non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited and is not modified or adapted.
https://creativecommons.org/licenses/by-nc-nd/4.0/

How to cite this paper

Gender and Disguise in Twelfth Night: The Fluidity of Identity

How to cite this paper: Zhixu Sun. (2023) Gender and Disguise in Twelfth Night: The Fluidity of IdentityJournal of Humanities, Arts and Social Science7(11), 2266-2271.

DOI: http://dx.doi.org/10.26855/jhass.2023.11.022