ArticleOpen Access http://dx.doi.org/10.26855/jhass.2023.11.006
Study on the Aesthetic Expression of Design Sculpturing from the Perspective of Design Morphology
Xueqi An*, Ruirong Ren
Nanchang University, Nanchang, Jiangxi, China.
*Corresponding author: Xueqi An
Published: December 21,2023
Abstract
The sculptural imagery in the design conveys a deep philosophical connection between the design object and life, humanity, and the environment. It also examines the evolution of sculptural art. The discussion of the spiritual connotation of sculptural imagery in design is based on the philosophical unity of design with life, humanity, and the environment. Designers draw inspiration from art models, integrating the language of sculptural art with design form to bring artwork to life. This process involves sculpturalization and popularization, combining the social functions of morality, aesthetics, and cultural power. Design serves as a medium and bridge between culture and function, while also creating more humane and naturally appealing design products. The sculptural aesthetic expression of design forms offers new ideas and creative possibilities for the future development and research direction of design.
Keywords
Design form, sculptural design, emotional, expression
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Copyright
© 2023 by the author(s).
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How to cite this paper
Study on the Aesthetic Expression of Design Sculpturing from the Perspective of Design Morphology
How to cite this paper: Xueqi An, Ruirong Ren. (2023) Study on the Aesthetic Expression of Design Sculpturing from the Perspective of Design Morphology. Journal of Humanities, Arts and Social Science, 7(11), 2180-2183.
DOI: http://dx.doi.org/10.26855/jhass.2023.11.006