magazinelogo

Journal of Humanities, Arts and Social Science

ISSN Online: 2576-0548 ISSN Print: 2576-0556 CODEN: JHASAY
Frequency: monthly Email: jhass@hillpublisher.com
Total View: 4722471 Downloads: 1458204 Citations: 301 (From Dimensions)
ArticleOpen Access http://dx.doi.org/10.26855/jhass.2023.07.009

An Artistic Inquiry into “Light” in Manet’s Paintings

Xinlu Zhou

Suzhou Top Institute of Information Technology, Suzhou, Jiangsu, China.

*Corresponding author: Xinlu Zhou

Published: August 22,2023

Abstract

As traditional painting styles developed into impressionism, the expression of "light" has undergone important changes. Manet's painting style carves out new development paths, with the expressive element of "light" featured in his paintings assuming a sense of vividness on the canvas. This paper explores the use of "light" in Manet's paintings, whilst also investigating the role of "light" factors. To do so, the early development of "light" in Manet's paintings is summarized and analyzed to identify the most prominent "light" characteristics present. From this, it can be concluded that light most often takes the form of "positive light" in Manet's paintings. Next, it moves on to look into the role of "light" representation in Manet's paintings. This paper takes Manet's paintings as the object of analysis to elaborate on the rich possibilities of "light" transmission and expression in his work. It is expected that the conclusions of this paper will provide new development ideas through which artists can use "light" in their paintings.

Keywords

Manet's paintings, Positive light, Artistic connotation

References

[fr] by Emile Zola, translated by Fir Fir The Light of Impressions: Zola Writes Manet [M]. Beijing: Jincheng Press, 2013, p. 12.

[French] by Michel Foucault, translated by Xie Qiang and Ma Yue. Manet's Paintings—Michel Foucault, A Gaze [M]. Zhengzhou: Henan University Press, 2016, p. 11.

[US] by Rudolf Arnheim, translated by Teng Shouyao and Zhu Jiangyuan. Art and Visual Perception [M]. Sichuan: Sichuan People's Publishing House, March 1998, 1st ed.

Brett Russell Brehm. Media Environments: Manet, Cros and the Colours of Spring, History of Photography, 2020, 44:1, 50-64. DOI: 10.1080/03087298.2020.1855860.

By Alberti, translated by Hu Jun and Xin Chen. Nanjing: Jiangsu Education Press, 2012, p. 12.

By Gombrich, translated by Lin Xi and Li Benzheng, Fan Jingzhong. Art and Illusion [M]. Zhejiang: Zhejiang Photo-graphy Publishing House, November 1987.1 edition.

He Zhengguang. Founder of Manet Impressionism [M]. Shijiazhuang: Hebei Education Press, 2000, p. 8.

Kathryn Kremnitzer. Manet and Photography: Looking at Olympia, History of Photography, 2022, 46:1, 20-30. 

DOI: 10.1080/03087298.2023.2180229.

Robert Lethbridge. The politics of art: Manet at the Salon of 1872, Nineteenth-Century Contexts, 2020, 42:3, 355-367. DOI: 10.1080/08905495.2020.1773174.

Shangpin Studio. Quickly grasp the exposure secrets of digital shooting [M]. Beijing: Tsinghua University Press, 2012, p. 9.

How to cite this paper

An Artistic Inquiry into “Light” in Manet’s Paintings

How to cite this paper: Xinlu Zhou. (2023) An Artistic Inquiry into “Light” in Manet’s Paintings. Journal of Humanities, Arts and Social Science7(7), 1295-1301.

DOI: http://dx.doi.org/10.26855/jhass.2023.07.009