ArticleOpen Access http://dx.doi.org/10.26855/jhass.2023.06.031
The Inheritance and Protection of Shanxi Prints—Based on the Discussion of Song, Liao and Jin Dynasties
Tongyuan Zhang
Academy of Fine Arts, Shanxi University, Taiyuan, Shanxi, China.
*Corresponding author: Tongyuan Zhang
Published: July 20, 2023
Abstract
Traditional Shanxi printmaking has excellent content and high production level. It shows various production technology characteristics in different periods. Taking Pingyang woodcut in Shanxi as an example, it originated in the Song, Liao and Jin dynasties and flourished in the Ming and Qing dynasties. In the Song, Liao and Jin Dynasties, the papermaking, stereotyping and printing industries in the south of Shanxi had developed to a certain extent. As one of the birthplaces of the art of wood engraving and printing, Shanxi Pingyang Woodcut was born here. In 2019, Pingyang woodcut was officially listed as a national intangible cultural heritage project, which puts forward higher requirements for the local inheritance and protection of Pingyang woodcut in Shanxi. In this paper, we will simply study Pingyang woodcut art of Shanxi, which arose in the Song, Liao and Jin dynasties, understand its production process and characteristics, think about its inheritance status and causes in the field of folk art, and finally focus on the inheritance and protection path of Pingyang woodcut in the future.
Keyword
Shanxi Pingyang woodcut, Song, Liao and Jin Dynasties, Inheritance and protection
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Copyright
© 2023 by the author(s).
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How to cite this paper
The Inheritance and Protection of Shanxi Prints—Based on the Discussion of Song, Liao and Jin Dynasties
How to cite this paper: Tongyuan Zhang. (2023) The Inheritance and Protection of Shanxi Prints—Based on the Discussion of Song, Liao and Jin Dynasties. Journal of Humanities, Arts and Social Science, 7(6), 1202-1206.
DOI: http://dx.doi.org/10.26855/jhass.2023.06.031