Article http://dx.doi.org/10.26855/jhass.2023.01.026
A Pictorial Interpretation of Beckman’s Triptych on Departure
Chun Luo
School of Fine Arts, Central China Normal University, Wuhan, Hubei Province, 430000, China.
*Corresponding author: Chun Luo
Published: February 10,2023
Abstract
"Departure" is the first triptych of German expressionist painter Max Beckman. Although it is not famous masterpiece, the picture displayed the secular and dark quiet down double conflicts caused the author's study enthusiasm, the author on the basis of the theory of intuition and life philosophy, to lyricism of the objective external world is a pure spiritual world, taking the objective reproduction of reality as a cognitive attitude reveals the essence of things. The strong colors and wild brushstrokes used in the painting also depict the most sincere emotions in his heart. Article from the perspective of image study, combined with pan, the base of studying previous image description, image analysis, image interpretation from three aspects to study Max Beckman "departure", further explore the "ugly" to make the art form of subversion and innovation of traditional aesthetic tendency and break the inertial thinking aesthetic psychological pattern of artistic value. And his influence on contemporary painting art.
References
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How to cite this paper
A Pictorial Interpretation of Beckman's Triptych on Departure
How to cite this paper: Chun Luo. (2023) A Pictorial Interpretation of Beckman's Triptych on Departure. Journal of Humanities, Arts and Social Science, 7(1), 183-186.
DOI: https://dx.doi.org/10.26855/jhass.2023.01.026